Mia is using her URA research and creative work to raise awareness about human trafficking!

Mia is a Theatre Design & Production major, Entrepreneurship & Innovation Minor, and a Linehan Artist Scholar, who will graduate in 2019. Her URA research project is entitled, "Visual Storytelling Applied to Human Trafficking Awareness".

Describe your project: With funding from my Undergraduate Research Award (URA), I attended the 2017 Summer Scene Painting session at Cobalt Studios in New York. I am applying the painting skills I built there to both my research in scenic designing the production of Far Away at UMBC in the spring, as well as creating a large-scale mural to visually tell stories of human trafficking.

Who is your mentor(s) for your project? How did you find your mentor? Why did you choose them?

Professor Sinnott is my advisor and mentor in the UMBC Theatre Department who I work with frequently, in both design and painting for productions. Professor Sinnott has been my mentor from the beginning of this research, and is mentoring my theatrical research and production for Far Away in the spring.

I am currently taking Social Entrepreneurship in Place with Professor Bradley and, through that class, collaborating with him on arts-based community engagement projects in Curtis Bay. Professor Bradley is mentoring me in community-based research and artistic responses and solutions to social issues.

How did you become interested in this project? How has it evolved?

My mentor, Professor Nate Sinnott, first recommended I attend a session at Cobalt Studios; in addition, throughout the summer, I was reading the UMBC first-year experience book, Half the Sky, which was propelling my existing investment in the fight against human trafficking into greater action. As I began to take Social Entrepreneurship in Place in the fall with Professor Stephen Bradley, I realized that I wanted my research for the Undergraduate Research Award to evolve into a parallel project of creating a mural for URCAD. Now, I am exploring parallel themes of dehumanization in both Far Away by Caryl Churchill, and in our world today through human trafficking. In addition, I am partnering with nonprofit organizations in the Baltimore area whose missions are to end domestic child sex trafficking, provide care for survivors of women’s domestic sex trafficking, and empowerment of women.

What has been the hardest part about your research?

In dealing with heavy themes, it can be difficult to continue to stay engaged with the material. I have found it most difficult to stay continually engaged with the realities of human trafficking: to keep learning.

What has been the most rewarding part?

I have been astonished at how well my research is connecting. Once I allowed my ideas to change, and let my research become flexible, I was worried that my original studies through theatre might feel irrelevant, or even distracting, from this other goal. This has not been the case. In fact, I have felt a greater motivation through my theatrical research, as I am exploring themes in both a practical production and an artistic response to a social issue.

I will be presenting at URCAD on April 25th, and the spring production of Caryl Churchill's Far Away will be staged from March 9th through March 11th.

What is your advice to other students about getting involved in research? 

I would like to say this a little bit poetically:

jump in

dive in

be unafraid of change

and see where it carries you

be ready for hard work

be ready for not-enough-time

get creative

be thrifty

be ready for excitement

be ready for some let-downs

but jump in

What are your career goals?

My career goals are:

To always give my utmost effort to any work I am doing.

To be a creative and innovative force.

To collaborate, communicate and engage with community.

My highest hopes are to continue using art as a tool for raising awareness about human trafficking; whether that be through theatre, visual art, socialpreneurship or nonprofit intrepreneurship. Ultimately, though, I care most that I am achieving these three goals, regardless of the work I am able to do.

Want to be featured as a Researcher of the Week? Email: aprilh@umbc.edu 

A team effort by some of the Women’s Center staff!

So in 2015, UMBC brought Hannibal Buress to campus as our homecoming comedian. We rejoiced. We love him as Lincoln in Broad City, we appreciate his stalwart bend toward social justice, and he’s hella funny.

We were ALSO frustrated. For every UMBC Homecoming comedy event, we have invited men. Nick Offerman. B.J. Novak. Bo Burnham. Donald Glover. Lewis Black.  Hannibal Burress. All funny folk, but also male folk. And we’re not trying to pretend this is an issue isolated to UMBC. The general global representation of women in comedy is dismal. So at the time, we wrote it out and we compiled a list of awesome women in comedy with the hopes that someone at UMBC would say, “Oh wow. Sexism. It exists here, too. You know what would exemplify our campus values of inclusive excellence and commitment to diversity? A lady!”

Unfortunately, our naive hopes were dashed again this year. Trevor Noah is coming.

Don’t get us wrong, Trevor Noah is a cool dude. But he’s a cis male dude.

A dude who is critical of oppression and injustice, but also one who has a past that includes some disturbing episodes of sexism.

So again, the Women’s Center is dusting off its trusty soapbox and presents our dear readers with a humble compilation of awesome comedians who also just so happen to be women.

Aparna Nancherla – Amelia’s Pick

Maybe she’s born with it, maybe she’s born into a societal prison of impossible standards.

– Aparna Nancherla,  “Just Putting It Out There”

Aparna is a comic that has been all up in my social media feeds, podcasts, and Netflix-ing, so I decided to check her out—and now I love her and am a huge fan.

Aparna is a stand-up comedian. She recently released her debut album, “Just Putting It Out There” (the first release on Tig Notaro’s new comedy label Bentzen Ball Records), which I can’t recommend enough. Her subject matter is dry, observational stuff, but she’s also just goofy and off-kilter. She talks a lot about being a woman, a woman of color, a woman with anxiety and depression, and all of these things at once (that’s called intersectional humor, friends). At one point she describes her anxiety as a really bad, but enthusiastic improv group who keep taking suggestions from a sadistic audience—and that description is the closest anyone has ever come to defining what my anxiety is.

Aparna is a writer and performer on Totally Biased with W. Kamau Bell, has done work on Master of None and Bojack Horseman, can be heard on a whole bunch of big popular podcasts, has features in really notable papers and magazines, and has opened for numerous big names like John Oliver, Tig Notaro, Maria Bamford, Kristen Schaal, and Hari Kondabolu (just to name some of my favorite folks).

Her Twitter, Facebook and Instagram are LI-HIT. She is very awesome, and I hope you also check out the video below.

Kristen Becker – Marie’s Pick

In 2006, I had the privilege of meeting and becoming friends with Kristen Becker while she was performing in Santa Fe, New Mexico on a Dykes of Hazard Tour.  She has been named “One of America’s Funniest Lesbians” by CURVE magazine, and has opened for national comedy acts, and even for Ani DiFranco.

Not only is Becker hilarious, she works extremely hard as an LGBTQ activist and supporter of social justice.  While touring with her current project “Loosen the Bible Belt,” she was able to successfully complete her first “Summer of Sam” endeavor in her hometown of Providence Rhode Island.  If you have a few minutes to check out her comedy…do it..it will be worth your time!

Samantha Bee – Hannah’s Pick

The first version of this post pointed to a gender disparity in comedy on a level greater than UMBC—there were no female late-night talk show hosts. But even though we are still writing this article, progress is being made; Full Frontal with Samantha Bee broke that glass ceiling in February 2016 with Bee as the creator, writer, executive producer, and host. Before that, she was the longest tenured correspondent for The Daily Show, and was the only woman for five years before being joined by Kristen Schaal (who is another great woman in comedy you should definitely check out).

In addition to her humor, I love the fact that she uses her platform as a woman in a male-dominated field to do good for others. In hiring writers, she and the producers set up a blind process which hid the gender, race, and experience level of the applicants. As a result, the writing staff is about 50% female and 30% non-white. Additionally, proceeds from the show’s merchandise go to organizations like Planned Parenthood, the Karam Foundation, Distributing Dignity, the Committee to Protect Journalists, and the Hispanic Federation

Negin Farsad – Sydney’s Pick

I first came across Negin when researching many, many women for this post. I was instantly intrigued with the short clip I saw in which she made jokes about dating while being Muslim and her mother’s expectations of her as a Muslim woman. Negin considers herself a social justice comedian who uses her platform to discuss pressing issues in a way that makes them easier to talk about and get a dialogue started. She was named one of the Funniest Women of 2015 by the Huffington Post and one of the 10 Best Feminist Comedians by Paper Magazine. Due to her work in social justice through comedy she was also named a TEDFellow (watch her TED talk here), has written for major networks, published a book, and hosts a podcast. She also has a documentary, The Muslims are Coming, which follows comedians across America as they try to combat issues of Islamaphobia while facing backlash from both non-Muslims and Muslims throughout.

Leslie Knope (AKA Amy Poehler) – Jess’s Pick

Okay, I know Leslie Knope isn’t a real person. Amy Poehler is the real person who makes Leslie Knope come alive on a regular basis in my living room via Parks and Rec. This show makes me laugh and rejuvenates my soul after a long work day. Leslie is also present in the Women’s Center, because she makes me giggle in my office when I’m looking for the perfect reaction gif (almost always from Parks and Rec) to send in an email.

Thank you, Leslie Knope/Amy Poehler.

Ellen DeGeneres – Samiksha’s Pick

I really struggled to think of female comedians when I was asked to write about them, my mind was blank. That is until I watched an episode of Ellen interviewing Michelle Obama, and it clicked. Ellen is definitely a female comedian, but sometimes we forget because she’s become so ingrained in our lives. She’s the funny best friend we’ve always wanted and the big sister that always makes us feel better when we’re down.

The Ellen show has been airing new episodes since September of 2003 and still going strong. That’s 14 years, and most of my life.  What’s great about her humor, in the words of Barack Obama, is that it “has a way of making you laugh about something, rather than at someone.” Ellen’s humor doesn’t need to put anyone down to get a laugh out of you, and trust me, she will have you laughing till you cry. After watching her show, I guarantee you will have a smile on your face as I always have.

On top of that, Ellen is a prominent humanitarian. Ellen has used her show as a major platform to do humanitarian work; she has given away more than $50 million dollars on her show to various causes. She has been involved with causes like fighting breast cancer, Hurricane Katrina disaster effort, St. Jude’s Children Hospital, and for families struggling economically. It’s hard not to find something to love about Ellen!

This is not an exhaustive list by any means! Who are the funny women you would add to the list? Let us know by commenting on our social media pages.

The First Year Intervention Program (FYI) is one of the many services that the Learning Resources Center offers to UMBC students. 

The purpose of the program is twofold: to notify students in their first year at UMBC that they are in jeopardy of receiving a D or F in a certain course and to provide them with resources to improve their grade in that course and preserve their GPA. 

By alerting students early in the semester, students have the ability to make the necessary changes to improve their grade and become successful in their academic careers. 

When do FYI alerts get sent?

The FYI reporting period for the Fall 2017 semester is scheduled run from Monday, October 2, 2017 through Friday, November 3, 2017.

Help! I got an alert in one of my courses! What should I do?

Your professor sent you an alert because you are in danger of receiving a D or an F in that course. The first thing you should do is to contact your professor to figure out what your exact grade is and what you can do about it. Next, visit our Action Resource Center to see if there’s any services at UMBC that can help you improve your grade.

You can also schedule an academic success meeting with a staff member at the Learning Resources Center.  

I got an alert, but I’m not in my first year at UMBC.

The alert program is designed to notify students in their first year at UMBC; however, instructors have the ability to send alerts to any student who is in danger of receiving a D or F in the course. If you received an alert, it means that your grade is in jeopardy and you should take action immediately.

If I’m in danger of receiving a D or an F, doesn’t that mean I could still be passing?

It is possible, but you could just barely be passing. If you are in a course that has a second level to it (such as MATH 150, or BIOL 141), you MUST receive a C or higher to move on to the next level. If you are trying to fulfill your GEP requirements with a course, you MUST have a C or higher for it to count. This is why we ask professors to let you know if you are in danger of receiving a D.  

If you have any further questions about the FYI program, please email fyi@umbc.edu

Written by Women’s Center student staff member Hannah Wilcove.

As of March 23rd, 2017, Dr. Adrienne Keene had written over 15 different posts about the specific issue of celebrities wearing Native American headdresses. If you search for the term “headdress” on her blog, 12 entire pages of results come up, and spoiler alert: most of them are not praising people for doing it right. She has been writing about this phenomenon for seven years, and as she says, “[i]n internet years that’s truly forever.”

So, from all of this comes the question: What is cultural appropriation? And why is it a big deal?

A great definition comes from Maisha Z. Johnson at Everyday Feminism: “cultural appropriation is when somebody adopts aspects of a culture that is not their own.” An example many people are familiar with is the prevalence of Native American headdresses, jewelry, and clothing worn by non-Natives at music festivals like Coachella. It’s easy for people in our society to see when it happens, but it’s often difficult for people to see why it matters. This is because many people use only the above definition, which is accurate, but not comprehensive. This is how we get ordinary people trying to correct the experts, as seen on Dr. Keene’s Instagram below:

In fact, this kind of commentary is so common, there’s a BINGO card for it (we would take a bet that Adrienne has a “blackout”):

Essentially, it all comes down to power dynamics. The difference between non-Natives wearing a headdress and people other than (white) Americans eating a hamburger is that the former is a marginalized group in our society. Admiration crosses the line and becomes appropriation when the behavior is exploitative and/or contributes to the stereotyping and stigmatization of a culture. The headdresses seen at Coachella rely on stereotypes that ultimately collapse over 500 tribes into one fabricated culture. This one representation is more than just inaccurate; it’s harmful because it erases the current presence of Native Americans, which is still very much affected by a history of colonization and genocide. The following cartoon sums it up pretty nicely:

On a more general note, this is something that extends beyond Native Americans to all subjugated groups (read: not white people). For many people, their race or culture is not a costume they can take off at the end of the day, but rather something that is both a source of pride and a source of oppression. People have fought and are still fighting for the right to exist on an equal playing field where their identity is respected. When it comes to things like what to wear to a music festival, what Halloween costume to choose, what hairstyle looks best, or what forms of dance to try, there are many options, and it is entirely possible to choose one that does not rely on stereotypes. There are real people and extensive histories behind these material things. It is important that we learn about them and respect them as equal members of society.

Further reading below:

• To learn more about cultural appropriation and specific examples check out this article from Everyday Feminism
• Read more of our What You Need to Know series for CSJ: Rise
• But Why Can’t I Wear a Hipster Headdress? by Adrienne Keene 
• Valentino didn’t learn anything. by Adrienne Keene
• Adrienne Keene’s Twitter @NativeApprops
• Adrienne Keene’s Instagram

Check out the full list of Critical Social Justice: Rise events here.